Introduction.This article analyzes the dramatic and cognitive mechanisms that activate viewers’ emotional identification with antihero protagonists of serial fiction, taking Breaking Bad as a case study. Methods. The analysis of the mechanisms that enable identification is based on cognitive media theory (Carroll; Plantinga; Smith), and is reinforced through media psychology, applied through a close reading of the last season of the series. Theoretical framework. The notion of “structure of sympathy” (Smith) is used to identify four dramatic strategies that modulate the spectatorial moral judgment against the antihero, while the concept of the “expanded narrative” is used to explain the familiarity established with the protagonist. Discussi...
Sympathy is the main affective bond that the viewer establishes with the fictional characters, being...
Die vorliegende Masterarbeit beschäftigt sich mit der Sympathieerzeugung für den fiktionalen Protago...
Zillmann's moral sanction theory defines morality subcultures for entertainment as groups of media v...
Introduction.This article analyzes the dramatic and cognitive mechanisms that activate viewers’ emot...
Introduction. We analyze the dramatic and cognitive mechanisms that activate the emotional identific...
According to its creator, Vince Gilligan, Breaking Bad (AMC, 2008–13) describes the moral corruption...
The antihero prevails in recent American drama television series. Characters such as mobster kingpin...
When Vince Gilligan pitched the idea for ‘Breaking Bad’ to studio bosses at AMC, his description of ...
In the last two decades there has been a spate of what is considered quality television. The success...
By analyzing the complexities that arise between family values and traditional Judeo-Christian moral...
The thesis thematizes the antihero phenomenon in current television series, whereas the phenomenon m...
Although Breaking Bad (AMC, 2008-2013) is one of the most critically acclaimed TV Series of the last...
This article aims to explore the motivations fueling the behavior of the Breaking Bad’s characters, ...
As a communication device, television helps cultivate a culture?s social reality. Yet, television so...
This book examines the role of emotions in contemporary TV series. Over the past 20 years, TV fictio...
Sympathy is the main affective bond that the viewer establishes with the fictional characters, being...
Die vorliegende Masterarbeit beschäftigt sich mit der Sympathieerzeugung für den fiktionalen Protago...
Zillmann's moral sanction theory defines morality subcultures for entertainment as groups of media v...
Introduction.This article analyzes the dramatic and cognitive mechanisms that activate viewers’ emot...
Introduction. We analyze the dramatic and cognitive mechanisms that activate the emotional identific...
According to its creator, Vince Gilligan, Breaking Bad (AMC, 2008–13) describes the moral corruption...
The antihero prevails in recent American drama television series. Characters such as mobster kingpin...
When Vince Gilligan pitched the idea for ‘Breaking Bad’ to studio bosses at AMC, his description of ...
In the last two decades there has been a spate of what is considered quality television. The success...
By analyzing the complexities that arise between family values and traditional Judeo-Christian moral...
The thesis thematizes the antihero phenomenon in current television series, whereas the phenomenon m...
Although Breaking Bad (AMC, 2008-2013) is one of the most critically acclaimed TV Series of the last...
This article aims to explore the motivations fueling the behavior of the Breaking Bad’s characters, ...
As a communication device, television helps cultivate a culture?s social reality. Yet, television so...
This book examines the role of emotions in contemporary TV series. Over the past 20 years, TV fictio...
Sympathy is the main affective bond that the viewer establishes with the fictional characters, being...
Die vorliegende Masterarbeit beschäftigt sich mit der Sympathieerzeugung für den fiktionalen Protago...
Zillmann's moral sanction theory defines morality subcultures for entertainment as groups of media v...